Comic Con came to San Diego last weekend, and I have never been in San Diego during one. As a literary snob I'm not much on pop culture, particularly ad nauseum, but I kept my mind open in the beginning days of the con, enjoying the Greek chorus of Cartoon Network balloons:

And the Batmobile:

And, to be fair, half of these pop references came from literature; Congressional Representative John Lewis's graphic collection March, and handmaids, and pedicabs with chairs a la George RR Martin.

But by Day 4 I wanted the lot of the world gone, and got depressed by so many people, and calmly stayed in my apartment under the A/C fan and read and watched the entire first season of HBO's Insecure. I probably drank too much, which didn't help for the long term, but helped at the time.

I needed a game plan after that week, because if situational depression hits you, you need a game plan to deal with it. I write every day, and every day the writing is more of a drill than a process; sit down with a notebook the size of a bar of soap, spit 6 pages, go home. More of a nervous tick than a process, more of therapy than a process (which isn't bad as an approach to therapy, but still), and I realized there was no process.

So there's a new mission: Saturdays I write short fiction. I write a short story a week, like Mr. Bradbury recommended once, and the editing would come when that fiction muscle hits the wall. When the first drafts no longer become a process, then I build on the process. But there was no fiction before, and there shall be now.

The story came out scared and stilted but it's out, and next week there'll be another. I'll stack 'em up. I was so scared in the Midwest of rotting on the couch in bad winter and summer weather; and I lost all patience after Comic Con. If it's going to be hot and weird humidity, and if I have to struggle viciously with loneliness, then dammit…all this shall be to do what I love. I shall make up facts…and fashion them into stories…and tell all the fake news I want, but in a way revealing more truth than idiots in all the governments.

And, please, Lord, let me tell it "puddle-wonderful." ✨


What I Have Been Reading Lately: So much, because, the library for free, and it's too hot and pricey to go out much, so a LOT of reading…How To Be Human, Lucky You, The Zookeeper's Wife, and, currently, Faithful by Alice Hoffman. I get through a lot of New Yorker issues.

What I Have Been Watching Lately: The Zookeeper's Wife, and, predictably, not as good as the book. Paterson over and over because it soothes me. Moneyball because I miss Aaron Sorkin dialogue. Insecure because it makes me laugh and I love her rhymes. Okja, and a documentary out of the Bay Area called What the Health. Cut back on a LOT of meat, eggs, and dairy because of that movie. No, I'm not vegan (I can't be that disciplined and love tasting as I do), but when I mindlessly snack it's mostly hummus, veggies, and fruit. I feel a lot better but I'm still waiting for my skin to clear.

And baseball…so…much…baseball. If you watch enough baseball nuances start to amaze you or crack you up. I was watching a broadcast of the Blue Jays/A's game in Toronto last Thursday and was having a hard time determining the strike zone by the ump's calls. I thought I was losing my mind until I realized that both batters and pitchers were getting frustrated as well. By the 5th inning the Blue Jays' manager had enough and started heckling the ump from the dugout, and then was promptly ejected. Rattled, the Blue Jays' pitcher started grousing to himself on the mound, so one pitch later the ump tossed him, too. The catcher came unglued because his manager and pitcher were ejected a pitch apart, so…yep, the catcher got tossed, too. The crew chief for the umps had to come over and stand by his home plate ump, but I hope the communication was something to the effect of "Cool it, will ya?"

Weird, but funny as all get-out to watch.

Sometimes a girl needs distractions; sometimes she needs any game plan to get up off the dirt.


Dani Shapiro explains in her writing memoir “Still Writing” that she found it best to move out of New York City so that she didn’t use the distractions of the city to keep from writing.  

I think about that here a lot, as kind of a pacifier; if you live in Carlsbad, California and you don’t have a car and are nowhere close to the village, then your distractions are limited to the following:

  • The beach (a mile walk away in no shade);
  • A cafe (Starbucks only, a mile walk away in no shade);
  • Spending money on something I don’t need in a chain store (a mile walk away in no shade).

You’d think I’d be a prolific writer at this point.

Problem is, the only thing priming the pump is any book I can snatch and bring home and the web.  Not that those aren’t good sources; I just feel like I’m getting life third-hand with this method.  It’s a constant stretch of trying not to panic, and trying not to panic very much alone, as everyone’s solution is, “Why don’t you just get a car?”  My thoughts in answer to that question is, “You WANT one more car to log-jam the freeway?”  And my out-loud answer is, “I guess to fit in I’ll have to.”

I’ll have to pay for three to five years on a depreciating big-ticket item that I have to feed with high-dollar gas and achieve a top speed of 40 mph to fit in.

Somehow, it isn’t a sell.  But walking miles between destinations isn’t much of a sell, either.

But I don’t make the sustaining bucks or have the employer buy-in of the culture that I want to live in (San Francisco or New York City or any other city developing a pedestrian-friendly culture), so here I stay.  I’m trying to find a way to guild the lining of it with shiny silver, but sometimes I drift to anger and struggle to dig out of that ditch.

The Shapiro reasoning helps.  So I turn back to my notebook and mount my noise-cancelling headphones on my ears (even desolation has noise) and come back to the my stack of notebooks and hope for a tidal change while I try to change my own current.